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Richer bars

Goat milk and shea hot process bar

Rustic cream-coloured hot process soap bars with swooped, textured tops beside a small dish of shea butter and a glass of goat milk on a pink backdrop

A hot process bar with a quarter shea butter, cooked in a slow cooker and then loosened with warm goat milk once the lye is spent. The milk never meets fresh lye, so the bars stay cream-coloured, and they can be cut the same day.

Skill
Intermediate
Method
Hot process
Batch
1000 g of oils about 1551 g of batter
Hands-on
1 h 40 min
Cure
4 weeks
Gel phase
In the pot it gels as it cooks
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What you need

For 1000 g of oils, which fills a 1.6 litre loaf mould. Weigh everything, liquids included.

Olive Oil · 40.0 % 400 g 14.11 oz
Coconut Oil · 25.0 % 250 g 8.82 oz
Shea Butter · 25.0 % 250 g 8.82 oz
Cocoa Butter · 5.0 % 50 g 1.76 oz
Castor Oil · 5.0 % 50 g 1.76 oz
Sodium hydroxide (NaOH) · the lye, 100 % pure 137.0 g 4.83 oz
Distilled water · for a 33 % lye solution 274.2 g 9.67 oz
Goat milk · warmed to about 40 °C, stirred in after the cook 110 g 3.88 oz
Geranium essential oil · 2.0 % of the oils, after the cook 20 g 0.71 oz
Atlas cedarwood essential oil · 1.0 % of the oils, after the cook 10 g 0.35 oz
Superfat
6 %
Temperatures
Lye solution and oils below 77 °C (170 °F) when they meet, cooked on the slow cooker's low setting, scent in below 82 °C (180 °F)

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Method

  1. Get ready

    Put on goggles, gloves and long sleeves, weigh every ingredient, keep children and pets out of the kitchen, and set the slow cooker to low so it warms up.
  2. Make the lye solution

    Where the air moves, sprinkle the sodium hydroxide into the distilled water, never the water onto the lye, and stir until it clears. It gets very hot, so let it cool for a few minutes, until it is below 77 °C (170 °F).
  3. Melt the oils

    Melt all the oils and butters together in the slow cooker.
  4. Blend to trace

    Pour in the lye solution and stick blend until the batter is thick, like pudding, so it does not separate as it heats.
  5. Cook

    Lay cling film over the pot, put the lid on and cook on low. Every 15 to 20 minutes, fold the glossy edges into the middle and stir down any foam.
  6. Cook until translucent

    After about an hour the whole pot should look like petroleum jelly, glossy and a little stretchy, with no opaque patches left in the middle.
  7. Warm the milk

    While the soap finishes, warm the goat milk to about 40 °C (104 °F). Cold milk makes hot soap seize around it.
  8. Add the milk

    Turn off the heat and stir in the warm milk a little at a time until the soap is smooth, creamy and paler.
  9. Add the scent

    Once the soap is below about 82 °C (180 °F), stir in the geranium and cedarwood essential oils quickly and thoroughly.
  10. Pack the mould

    Spoon the soap into the mould, pressing it into the corners, bang the mould on the bench to knock out air pockets, and swoop the top with the back of a spoon.
  11. Unmould and cut

    When it has cooled and firmed, usually within a few hours and certainly by the next morning, unmould it and cut it into bars.
  12. Cure

    The bars are safe to use once set, but stand them on a rack with air around them for four to six weeks, so the extra water leaves and they harden and last.

Tips

  • The milk goes in after the cook because by then the lye is used up, so there is no hot fresh lye to scorch its sugar. Milk cooked with the batter from the start comes out tan.
  • The milk also loosens the cooked soap, doing the job that held-back water or yogurt does in other hot process recipes, so the soap fills the mould with fewer air pockets.
  • If the soap climbs up the pot while it cooks, stir it down and turn the heat lower; fill the slow cooker no more than about half full.

Why make it

Two good reasons to make this one. A quarter shea butter gives a creamy, conditioning bar, 55 on our scale with a dense lather, and hot process lets the goat milk go in after the cook, when the lye is spent, so the bars stay cream rather than tan. Cooking soap is also the older way of making it at home, the kettle over the fire, and a cooked bar can be used as soon as it has set, though a month's cure makes it last longer (Fisher). Milk soaps have a long reputation among makers for feeling rich and less drying (Makela); the lye turns the milk's fat into soap, and there are no good trials of milk soap on skin, so that reputation rests on experience. Geranium and cedarwood are simply a scent people like.

Sources

  • The Complete Photo Guide to Soap Making · Creative Publishing International, 2018
  • Making Natural Milk Soap (excerpted from Milk-Based Soaps) · Storey Publishing, 1999

What tradition, makers' experience and research say about soaps like this, each labelled for what it is. It is not medical advice, and no soap treats a skin condition: if you have one, ask a doctor or pharmacist.

What the numbers say

  • Lauric acid 12.3 %
  • Myristic acid 4.7 %
  • Palmitic acid 10.0 %
  • Stearic acid 14.1 %
  • Ricinoleic acid 4.4 %
  • Oleic acid 43.3 %
  • Linoleic acid 7.3 %
  • Other 4.9 %

Saturated : unsaturated 45 : 55

Hardness 41 29–54
Cleansing 17 12–22
Conditioning 55 44–69
Bubbly lather 21 14–46
Creamy lather 29 16–48

Computed from the fatty acids of the fats above. The bands are what the craft has settled on, not chemistry — a bar outside one is not wrong.

From the guides

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Guides with this recipe

Where these proportions come from

Our own olive, coconut and shea blend at 6 % superfat, cooked by Fisher's slow-cooker method with part of the water held back until after the cook. Here the held-back part is goat milk, so the milk never meets fresh lye and stays pale. The water is 2.7 times the lye, a little above his 2.5, so the cook itself still has twice the lye's weight in water.

Formulation adapted from The Complete Photo Guide to Soap Making by David Fisher (Creative Publishing International, 2018). The method and notes are ours.

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